A Review of Seth Breedlove's New Documentary
Breedlove’s documentary about the Mothman takes us to that doorway, and like his other three films, dares us to enter knowing full well we never will. The Mothman, and the other mysterious creatures of paranormal folklore, dwell inside that shadowy place, often escaping from it into our world where countless people see and interact with them. However, their world is not our world, and we are reminded of that fact by the haunting voice of Lyle Blackburn, the film’s narrator.
The documentary is spooky and beautiful, with a chilling original soundtrack by Brandon Dalo, that stalks the viewer as they travel down the banks of the Ohio River and into Point Pleasant. Breedlove provides a chronological timeline that follows the sightings that pepper the 1960’s and truly culminate in 1966 and 1967. The collection of interviews provide great insight into the events, and draw the viewer ever deeper into the world of the winged monster. It is intelligent, concise, and does not waste time on tropes. It is authentic and thought provoking.
For fans of the Mothman, this film is essential viewing. It offers a significant amount of original newspaper articles, audio interviews, and wonderfully animated recreations. The documentary provides varying interpretations of the Mothman, and its identity. However, it gives no special treatment to any of the theories; a large bird, a depressed and sad otherworldly being, or an evil demon- the documentary does not seek that answer. Rather, this is a documentary about the people who were affected by the Mothman, their stories and their lives after their sightings, and after the tragedy of the collapse of the Silver Bridge.
Where this documentary truly shines is the encapsulation of all the paranormal and strange events that occurred in and around Point Pleasant during the mid to late 1960’s. Breedlove goes beyond the large bird sightings. He treats the viewer to the various UFO reports, close encounters with the grinning man named Indrid Cold, and other strange happenings that hit the area like a wave. He builds a powerful case that the men, women, and children of Point Pleasant were not only being watched by a pair of glowing red eyes, but by the shadows themselves, ever present, reaching out from their obscure and bizarre world. In the film’s opening, Blackburn refers to this collection of strange events as a “carnival of horrors” and Breedlove expertly crafts that notion into the film.
The documentary does not scare or shock. It does something much worse to the viewer. It unsettles them. It creates a picture of the world that is not quite right, awry, and exposed to a thing we’ve come to call the Mothman, and all the strangeness that it brings.
For fans of anything paranormal, weird or strange, this is a must watch. Click here to check it out.